{"id":21,"date":"2019-09-06T14:01:57","date_gmt":"2019-09-06T12:01:57","guid":{"rendered":"http:\/\/www.cait-urv.eu\/hifrensa\/?page_id=21"},"modified":"2019-12-09T10:42:50","modified_gmt":"2019-12-09T09:42:50","slug":"ca-antonio-bonet","status":"publish","type":"page","link":"http:\/\/www.cait-urv.eu\/hifrensa\/ca-antonio-bonet\/","title":{"rendered":"antonio bonet"},"content":{"rendered":"\n<div class=\"slider catalan aster-carousel\">\n \t\n    <div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img01\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-01.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">Antonio Bonet Castellana (Barcelona, 1913-1989) estudia Arquitectura a l\u2019Escola de Barcelona el 1929. T\u00e9 com a mestres Josep Llu\u00eds Sert i Josep Torres Clav\u00e9, amb qui treballa a Barcelona entre 1932 i 1936.<\/li>\n    <\/ul><\/div> \n     \n\t<div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img02\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-02.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">El 1933 viatja al Patris II de Marsella a Atenes per assistir al Congr\u00e9s Internacional d\u2019Arquitectura Moderna (CIAM IV) com a estudiant associat al Grup d\u2019Artistes i T\u00e8cnics Espanyols per al Progr\u00e9s de l\u2019Arquitectura Contempor\u00e0nia (GATEPAC). Antonio Bonet, al centre, entre els seus companys Josep Llu\u00eds Sert i Josep Torres Clav\u00e9, fotografiat al Parten\u00f3 d\u2019Atenes.<\/li>\n    <\/ul><\/div>\n        \n\t<div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img03\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-03.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">Com a estudiant, interv\u00e9 en el muntatge del Pavell\u00f3 de la Rep\u00fablica Espanyola, obra de Josep Llu\u00eds Sert i Luis Lacasa, de l\u2019Exposici\u00f3 Internacional de Par\u00eds (1937). Hi participen Pablo Picasso, Joan Mir\u00f3, Julio Gonz\u00e1lez, Alberto S\u00e1nchez i Alexander Calder. Picasso pinta el \u00abGuernica\u00bb amb unes dimensions murals (349,3 x 776,6 cm) pensades per al pavell\u00f3.<\/li>\n    <\/ul><\/div>\n       \n    <div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img04\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-04.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">Avantprojecte de les Maisons Jaoul (1937). Durant la Guerra Civil, entre 1936 i 1937, Antonio Bonet treballa al taller de Le Corbusier, on coneix l\u2019arquitecte i pintor xil\u00e8 Roberto Matta. Bonet ajuda a dissenyar les Maisons Jaoul (1937) i el Pavell\u00f3 de l&#8217;Aigua per a l\u2019Exposici\u00f3 Internacional de Lieja (1938).<\/li>\n    <\/ul><\/div>\n    \n    <div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img05\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-05.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">En 1938 Antonio Bonet s&#8217;exilia a Argentina. Seguint l&#8217;esperit del GATEPAC, juntament amb Juan Kurchan i Jorge Ferrari-Hardoy companys del taller de Le Corbusier, funda el Grup Austral.<\/li>\n    <\/ul><\/div>\t\n    \n    <div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img06\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-06.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">Edifici d\u2019habitatges Paraguay i Suipacha, Buenos Aires (1938-39), en col\u00b7laboraci\u00f3 amb Abel L\u00f3pez Chas i Alejandro Vera Barros.<\/li>\n    <\/ul><\/div>\n    \n    <div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img07\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-07.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">\u00c0tic de l\u2019edifici d\u2019habitatges Paraguay i Suipacha, on va viure Bonet a Buenos Aires fins al 1941. Hi va traslladar elements assajats en les Maisons Jaoul, com el tractament escult\u00f2ric de la coberta. S\u2019hi inclouen elements de la tradici\u00f3 popular: rajoles, tamborets i objectes de fibres naturals.<\/li>\n    <\/ul><\/div>\n    \n\t<div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img08\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-08.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">Antonio Bonet assisteix al CIAM VII a B\u00e8rgam (1949) com a representant uruguai\u00e0-argent\u00ed. Imparteix la confer\u00e8ncia: \u201cNuevas precisiones sobre arquitectura y urbanismo\u201d. La xerrada s\u2019il\u00b7lustra amb diapositives i una pel\u00b7l\u00edcula documental, \u00abLa ciudad frente al r\u00edo\u00bb (1948), realitzada per Enrico Gras, on es presenta el conjunt de Bajo Belgrano, Buenos Aires (1949).<\/li>\n    <\/ul><\/div>\n    \n    <div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img09\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-09.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">Casa Rubio, al Cap de Salou, Tarragona (1959). El gran volum d&#8217;enc\u00e0rrecs que li arriben d&#8217;Espanya en precipiten el retorn el 1963. Les seves obres que inclouen l&#8217;urbanisme es concentren a l&#8217;arc mediterrani, M\u00e0laga, M\u00farcia, Tarragona, Barcelona i Girona, on col\u00b7labora amb Josep Puig Torn\u00e9.<\/li>\n    <\/ul><\/div>\n    \n    <div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img10\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-10.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">Casa La Ricarda, El Prat de Llobregat, Barcelona (1949-1962), premi extraordinari FAD (1958-1978). \u00c9s una obra emblem\u00e0tica de l\u2019arquitectura moderna espanyola. Es va convertir en un lloc de reuni\u00f3 de l\u2019avantguarda catalana dels anys 60.<\/li>\n    <\/ul><\/div>\n     \n\t<div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img11\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-11.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">Can\u00f2drom Meridiana, Barcelona (1963). Foto: Francesc Catal\u00e0 Roca.<\/li>\n    <\/ul><\/div>\n    \n\t<div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img12\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-12.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">Can\u00f2drom de la Meridiana, Barcelona (1963), constru\u00eft amb Josep Puig Torn\u00e9. Despr\u00e9s del retorn, Bonet \u00e9s considerat un arquitecte de prestigi. El 1960 el Museu d\u2019Art Contemporani de Barcelona organitza una exposici\u00f3 de la seva obra, a c\u00e0rrec d\u2019Alexandre Cirici-Pellicer.<\/li>\n    <\/ul><\/div>\n    \n\t<div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img13\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-13.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">Seu del Tribunal Constitucional de Madrid (1975-1980). Edifici constru\u00eft inicialment com a seu social de farmac\u00e8utics, metges, veterinaris i odont\u00f2legs. Obra dels arquitectes Antonio Bonet i Francisco Gonz\u00e1lez Vald\u00e9s.<\/li>\n    <\/ul><\/div>\n \n\t<div class=\"aster-diapositiva\"><ul>\n    <li><a href=\"#img14\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-14.jpg\"><\/a><\/li>\n    <li class=\"aster-diapositiva-texto\">Bonet visita les obres del poblat Hifrensa a l\u2019Hospitalet de l\u2019Infant el 1972.<\/li>\n    <\/ul><\/div>\n    \n<\/div>\n\n\n<!-- lightbox container hidden with CSS -->\n<a href=\"#_\" class=\"lightbox\" id=\"img01\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-01.jpg\"><\/a>\n<a href=\"#_\" class=\"lightbox\" id=\"img02\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-02.jpg\"><\/a>\n<a href=\"#_\" class=\"lightbox\" id=\"img03\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-03.jpg\"><\/a>\n<a href=\"#_\" class=\"lightbox\" id=\"img04\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-04.jpg\"><\/a>\n<a href=\"#_\" class=\"lightbox\" id=\"img05\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-05.jpg\"><\/a>\n<a href=\"#_\" class=\"lightbox\" id=\"img06\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-06.jpg\"><\/a>\n<a href=\"#_\" class=\"lightbox\" id=\"img07\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-07.jpg\"><\/a>\n<a href=\"#_\" class=\"lightbox\" id=\"img08\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-08.jpg\"><\/a>\n<a href=\"#_\" class=\"lightbox\" id=\"img09\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-09.jpg\"><\/a>\n<a href=\"#_\" class=\"lightbox\" id=\"img10\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-10.jpg\"><\/a>\n<a href=\"#_\" class=\"lightbox\" id=\"img11\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-11.jpg\"><\/a>\n<a href=\"#_\" class=\"lightbox\" id=\"img12\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-12.jpg\"><\/a>\n<a href=\"#_\" class=\"lightbox\" id=\"img13\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-13.jpg\"><\/a>\n<a href=\"#_\" class=\"lightbox\" id=\"img14\"><img decoding=\"async\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/paneles\/panel-bon-14.jpg\"><\/a>\n\n<script type=\"text\/javascript\" src=\"\/\/code.jquery.com\/jquery-1.11.0.min.js\"><\/script>\n<script type=\"text\/javascript\" src=\"\/\/code.jquery.com\/jquery-migrate-1.2.1.min.js\"><\/script>\n<script type=\"text\/javascript\" src=\"http:\/\/www.cait-urv.eu\/hifrensa\/slick\/slick.min.js\"><\/script>\n\n<script type=\"text\/javascript\"> \nif (screen.width < 900) \n  $(document).ready(function(){\n  $('.aster-carousel').slick({\n  infinite: true,\n  arrows: true,\n  nextArrow:'<button type=\\\"button\\\" class=\\\"aster-carousel-next\\\">+<\/button>',\n  prevArrow:'<button type=\\\"button\\\" class=\\\"aster-carousel-prev\\\" >-<\/button>',\n  slidesToShow: 1,\n  slidesToScroll: 1\n  });\n  });\nelse \n  $(document).ready(function(){\n  $('.aster-carousel').slick({\n  infinite: true,\n  arrows: true,\n  nextArrow:'<button type=\\\"button\\\" class=\\\"aster-carousel-next\\\">+<\/button>',\n  prevArrow:'<button type=\\\"button\\\" class=\\\"aster-carousel-prev\\\" >-<\/button>',\n  slidesToShow: 3,\n  slidesToScroll: 3\n  });\n  });\n<\/script>\n","protected":false},"excerpt":{"rendered":"<p>Antonio Bonet Castellana (Barcelona, 1913-1989) estudia Arquitectura a l\u2019Escola de Barcelona el 1929. T\u00e9 com a mestres Josep Llu\u00eds Sert i Josep Torres Clav\u00e9, amb qui treballa a Barcelona entre 1932 i 1936. El 1933 viatja al Patris II de Marsella a Atenes per assistir al Congr\u00e9s Internacional d\u2019Arquitectura Moderna (CIAM IV) com a estudiant [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.cait-urv.eu\/hifrensa\/wp-json\/wp\/v2\/pages\/21"}],"collection":[{"href":"http:\/\/www.cait-urv.eu\/hifrensa\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.cait-urv.eu\/hifrensa\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.cait-urv.eu\/hifrensa\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.cait-urv.eu\/hifrensa\/wp-json\/wp\/v2\/comments?post=21"}],"version-history":[{"count":6,"href":"http:\/\/www.cait-urv.eu\/hifrensa\/wp-json\/wp\/v2\/pages\/21\/revisions"}],"predecessor-version":[{"id":105,"href":"http:\/\/www.cait-urv.eu\/hifrensa\/wp-json\/wp\/v2\/pages\/21\/revisions\/105"}],"wp:attachment":[{"href":"http:\/\/www.cait-urv.eu\/hifrensa\/wp-json\/wp\/v2\/media?parent=21"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}